Ljubljana: RK ZSMS 1981–1983. Large quartos. Original staple-stitched pictorial wrappers; 79, 65, and 53 pp. With numerous black-and-white and color illustrations throughout. Very good.
Complete run of the most famous Slovenian punk journal, Punk problemi [Punk problems], issued as a special supplement, with slightly altered title, to the journal Problemi [Problems]. Richly illustrated, these issues document the contemporary Punk movement both abroad and in Yugoslavia, as well as related emerging trends including the theatre group FV 112/15 and the industrial band slash art collective Laibach/Neue Slowenische Kunst (NSK). Many articles feature sexual content, poetry, reports on the Punk and unofficial art and theatre scene, comics, drawings, and striking photo-collages.
Several of the contributors later became noted public figures and authors, most notably Slavoj Žižek (born 1949), now famous worldwide as a cultural critic and philosopher. Others include the psychoanalyst and philosopher Mladen Dolar, the photographer Jane Štravs (born 1965), who contributed photographs of punk concerts and other subcultural events; Peter Mlakar (born 1951), a member of Neue Slowensche Kunst and the music group Laibach; Pero (Peter) Lovšin (born 1955), an important Yugoslav (now Slovenian) punk musician. In 1977 he founded one of the first Yugoslav punk bands Pankarti (pronounced as Punk-arti, meaning The Bastarts), which with its controversial anti-establishment lyrics shook up the world of the late Tito-government years of Yugoslavia.
For more on the significance of Punk and related movements in the early 1980s, see Helena Motoh, “‘Punk is a Symptom’: Intersections of Philosophy and Alternative Culture in ‘80s Slovenia” (2012). She writes that the trends discussed in Punk Problemi: “were a sharp break with the avant-garde moveents of the sixties and seventies, but also a unique reflection of the contemporary Yugoslav political, economical, and social crisis…. Judged as an anti-cultural phenomenon by the political opposition and as fascist and destructionist tendency by the pro-regime literati, the punk movement was obstructed from obtaining a space for representation in media but also took the representative role for the newly emerging social movements that sought reforms and change…” (p. 288).
KVK, OCLC show no holdings outside Slovenia. Book ID: 50027